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On the other side of the insurmountable wall was adulthood, grounded and broken into little bits of ungraspable imaginary scenes, by a little night club called "The Babalu".

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At night we would hear loud music coming down from the wall, down the three sections of the slanted garden and down to our little cottage.

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My mother explained to me what a night club was: "… a place where adults go at night to dance and drink…".


There were those magic words: "adults" and "drink" and "dance".

 
"Adults" for me was covered in red bright light and little strands of black, memories of the first Playboy I ever saw and breasts and freedom and a recurring strange sensation in my crotch.

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When a movie was "only for adults", this meant extreme and almost unbearable excitement, something so strong and pleasurable that only an older, stronger creature could withstand it.

 
"Drink" was a tall glass full of bubbles and the laughter of my father’s friends, recurringly connected stories that went on past midnight and anger in the remaining hours of the early morning.

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Curses and loud voices and men stumbling to the doorways, holding on to door knobs and walls.

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"Dance" was forbidden and unthinkable, an unmanly movement of the body that signified a loss of pride and righteousness in a man and strange temptations and revelations in a woman.

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A man who dances must be a "marica", a man who likes other men, and that was something nobody should be or admit to being.

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A woman who dances inspired that "adult" sensation mixed with fear and a confusing apprehension.

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